Description
From the There Came a Day collection. 30" x 30" x 1.5”. Acrylic and pumice on gallery-wrapped canvas by Wendy Pabich.
This piece speaks of spring--with it's gentle colors and slow awakening--and radiates a sense of tranquility.
~Anais Nin
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24" x 24" x 1.5”. Acrylic, pastel, oil pastel, and charcoal on raised wood panel by Wendy Pabich. This image came to me during a Chakra Healing binaural meditation. Creating it involved building up texture, depth, and richness through layering and mark making. As my painting process has evolved, I've honed my techniques and become increasingly comfortable trusting the process. This almost always requires committing to the work, starting out with an exciting concept, image or intention, and diving in, only to at some point find myself in the nebulous "middle" where a successful outcome i...
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Orb I
From the Burst collection. 30" x 30" x 1.5”. Acrylic and china market on gallery-wrapped canvas by Wendy Pabich. This painting is an exploration of occlusion and negative space. I started by pulling a rich palette of ochres and blues of varying transparency across the canvas in a squeegee-like motion, draping the entire panel. For reasons I can’t explain, with a china marker, I began drawing a series of orbs, of varying shapes and sizes, the position of each determined by an innate sense of balance and composition. Only then did I use the opaque cream color to occlude parts of the transl...
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Aquifer I
From the Water collection. 30" x 30" x 1.5”. Acrylic on raised wooden panel by Wendy Pabich. Be Like Water. Water, for its beauty, intrinsic properties, and mystical powers, remains for me a source of endless inspiration, stories, and life lessons. The paintings in this series are both an exploration of science through art, and expressions of reverence for our life-giving waters. By layering acrylic paint, pumice, plaster, and various mediums, I seek to emulate earth patterns, where form and function are intertwined. My mixtures on canvas create organic images that speak of weathering, ...
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Sacred Space
30" x 30" x 1.5”. Acrylic on raised wood panel by Wendy Pabich. “Your sacred space is where you can find yourself again and again." ~Joseph Campbell
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Sultry Afternoon
From the There Came a Day collection. 30" x 30" x 1.5”. Acrylic and china marker on gallery-wrapped canvas by Wendy Pabich. This intuitive piece was born of a sense of color, and brought to life using the rounded end of a foam roller to evoke leaves and flowers, followed by application of thick, opaque paint and china marker to highlight and ground the objects. "And the day came when the risk to remain tight as a bud was more painful than the risk it took to blossom." ~Anais Nin
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Water I
From the Water collection. 40" x 40" x 1.5”. Acrylic, charcoal, and pumice on hand-stretched gallery-wrapped canvas by Wendy Pabich. Be Like Water. Water, for its beauty, intrinsic properties, and mystical powers, remains for me a source of endless inspiration, stories, and life lessons. The paintings in this series are both an exploration of science through art, and expressions of reverence for our life-giving waters. By layering acrylic paint, pumice, plaster, and various mediums, I seek to emulate earth patterns, where form and function are intertwined. My mixtures on canvas create or...
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Water II
Be Like Water. Water, for its beauty, intrinsic properties, and mystical powers, remains for me a source of endless inspiration, stories, and life lessons. The paintings in this series are both an exploration of science through art, and expressions of reverence for our life-giving waters. By layering acrylic paint, pumice, plaster, and various mediums, I seek to emulate earth patterns, where form and function are intertwined. My mixtures on canvas create organic images that speak of weathering, dripping water, tangled reeds--providing a continuous reminder of the complexity and wonder of th...
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Water III
From the Water collection. 40" x 40" x 1.5”. Acrylic, charcoal, and pumice on hand-stretched gallery-wrapped canvas by Wendy Pabich. Be Like Water. Water, for its beauty, intrinsic properties, and mystical powers, remains for me a source of endless inspiration, stories, and life lessons. The paintings in this series are both an exploration of science through art, and expressions of reverence for our life-giving waters. By layering acrylic paint, pumice, plaster, and various mediums, I seek to emulate earth patterns, where form and function are intertwined. My mixtures on canvas create or...
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Water IV
From the Water collection. 40" x 40" x 1.5”. Acrylic, charcoal, and pumice on hand-stretched gallery-wrapped canvas by Wendy Pabich. Be Like Water. Water, for its beauty, intrinsic properties, and mystical powers, remains for me a source of endless inspiration, stories, and life lessons. The paintings in this series are both an exploration of science through art, and expressions of reverence for our life-giving waters. By layering acrylic paint, pumice, plaster, and various mediums, I seek to emulate earth patterns, where form and function are intertwined. My mixtures on canvas create or...
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Luminosity I
From the Burst collection. 40" x 40" x 1.5”. Acrylic and china market on gallery-wrapped canvas by Wendy Pabich. These paired paintings--Luminosity I and Luminosity II--are an exploration of occlusion and negative space. I started by pulling a rich, transparent, jewel-tone palette across the canvas in a squeegee-like motion, draping the entire panel. For reasons I can’t explain, with a china marker, I began drawing a series of orbs, of varying shapes and sizes, the position of each determined by an innate sense of balance and composition. Only then did I use the opaque cream color to occ...
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Luminosity II
From the Burst collection. 40" x 40" x 1.5”. Acrylic on raised panel by Wendy Pabich. These paired paintings--Luminosity I and Luminosity II--are an exploration of occlusion and negative space. I started by pulling a rich, transparent, jewel-tone palette across the canvas in a squeegee-like motion, draping the entire panel. For reasons I can’t explain, with a china marker, I began drawing a series of orbs, of varying shapes and sizes, the position of each determined by an innate sense of balance and composition. Only then did I use the opaque cream color to occlude parts of the transluce...
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